Instead, O Fallen Angel is more of a grotesque parade of certain social “types” and clichés taken to their furthest degree. The book reminds me of early Robert Crumb, a great deal of Jeff Koons, and even some of John Waters, other artists fascinated by the kitschy, grotesque underbelly of American culture. And like those artists, Zambreno finds this kitsch exhilarating. The overriding tone of the novel is oddly joyful; and while the book is very funny, it's not coolly so--in fact, there is nothing cool or classical about this book at all, and the novel in general brings to my mind certain Dogma 95 films where the camera plunges right into the action, making it purposely difficult to get our bearings. There are no establishing shots here.
Saturday, May 8, 2010